Watched Companion (2025) by an author from letterboxd.com
During a weekend getaway at a secluded lakeside estate, a group of friends finds themselves entangled in a web of secrets, deception, and advanced technology. As tensions rise and loyalties are tested, they uncover unsettling truths about themselves and the world around them.

It’s not exactly billed as a comedy but I laughed a lot. And, while it doesn’t beat you over the head with social commentary, it’s there if you want it.

★★★½

My review

My children are currently 10 and 13. In the not distant future, I fully expect to be asked to account for my repeated assertions that I believe in Father Christmas. I hope, when that time comes, my explanations will make sense to them.

I’ll talk a bit about card tricks and WWE; how some things shouldn’t be diminished by not being “the truth”. But, most importantly, I’ll talk about anthropomorphic personification and, therefore, the Christmas spirit, as a reminder of the importance of sharing and kindness, and being together.

And, since they’re rational and logical, I hope that having freed their minds of the mechanics of chimneys and sleigh velocities, they’ll think my version is actually a bit better.

Watched The Fall Guy (2024) by an author from letterboxd.com
Fresh off an almost career-ending accident, stuntman Colt Seavers has to track down a missing movie star, solve a conspiracy and try to win back the love of his life while still doing his day job.

Never better than great or worse than average. Clearly, a great deal of love was sunken into this movie but sadly very little resurfaces on the screen. And I say that as someone who genuinely appreciates stunt work and Ryan Gosling in comedic roles. Bit of a shame, really.

Still, a long overdue Oscar for Best Stunt Design will be given out in 2028. And that, really, ain’t nothin’.

★★★½

My review

Watched Now You See Me (2013) by an author from letterboxd.com
An FBI agent and an Interpol detective track a team of illusionists who pull off bank heists during their performances and reward their audiences with the money.

No idea when I first saw this but I’m sure it was in a cinema. Can’t believe we paid for that…

★★

My review

Today I learned a depressing new phrase: “the tyranny of the majority”. Apparently, this is how the privileged view the plebs…

How do YOU recommend films to people when what makes them worth a watch is an amazing plot twist (that you don’t want to spoil/telegraph)?