Watched Mandy (2018) from
The Shadow Mountains, 1983. Red and Mandy lead a loving and peaceful existence; but when their pine-scented haven is savagely destroyed, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire.

It was cheaper for me to buy this movie than it was to rent it, so I now own it. Fortunately, I really loved it. It is a masterclass in creating insanity on screen:

  1. Explain nothing
  2. Don’t set yourself any rules
  3. Hire Nic Cage

Explain nothing – this film raises so many more questions than it answers. Just so, so many. It doesn’t even bother trying to answer them. They are not there to be answered. And you quickly understand that, in this world, the inexplicable happens and you don’t need to understand the why or how.

Don’t set yourself any rules – basically, dialogue, motivations and context are your enemy. The more information you give, about ANYTHING, the higher the likelihood you’ll have to roll back on that later. So, don’t bother. Is Red a recovering addict? Probably. Does it matter? No. Do we need to be told? No.

Hire Nic Cage – in all honesty, we do flirt with self-parody here. I mean, at this point, it is somewhat inevitable. But this is perfect Cage doing Cage. It’s like the cinematic opposite of Orlando Bloom’s casting in Kingdom of Heaven.

This part contains spoilers.

Here is just one of the things I really loved about this.

In most revenge movies, the anti-hero (revenge is never heroic, right?) has a real attritional battle. This tends to escalate as he (almost always a he) works his way up the “food chain”. This often reaches peak with the “number 2”, the lead henchman, usually the inflicter of motivation, the one with actual blood on his hands. After this confrontation, the anti-hero will reach “the boss” half-dead but usually the boss is a bit of pen-pusher so it doesn’t take much to see him off.

This is nothing like that. He simply starts where he can and despite a few mishaps and some fairly serious injury, he goes through ALL of them “like a fat kid through cake”. And, honestly, not even with a great deal of style. Just a relentless, brutal efficiency.

Bravo ?

Watched Love and Monsters (2020) from
Seven years after the Monsterpocalypse, Joel Dawson, along with the rest of humanity, has been living underground ever since giant creatures took control of the land. After reconnecting over radio with his high school girlfriend Aimee, who is now 80 miles away at a coastal colony, Joel begins to fall for her again. As Joel realizes that there’s nothing left for him underground, he decides against all logic to venture out to Aimee, despite all the dangerous monsters that stand in his way.

For me, this is one of those movies that turns “ratings” on it’s head.

I have to give this four stars on the basis that it, in my eyes, it does everything just right. It does exactly what it sets out to do, it’s tight (in terms of economy and timing), it looks good, the dialogue is good. It also sticks steadfastly to it’s own “rules”.

People will draw comparisons with Zombieland but that’s pretty lazy in my opinion. The lead characters are polar opposites in two main ways: aptitude and likeability. I think a lot of people will also see Michael Rooker’s character as some sort of budget Tallahassee and that, also, would be an incredibly superficial comparison. And, this is not a comedy being played for laughs.

This is, comparatively, a solid three star movie. It doesn’t have the budget (for effects and cast) to elevate it above that. It doesn’t have a “worthy” cause or lesson that it wants to bring to your attention. In fact it is pretty devoid of gravitas. It’s not going to enlighten you.

But for what it is compared to what it wants to be, I can’t fault it.

Watched Wolfwalkers (2020) from
In a time of superstition and magic, when wolves are seen as demonic and nature an evil to be tamed, a young apprentice hunter comes to Ireland with her father to wipe out the last pack. But when she saves a wild native girl, their friendship leads her to discover the world of the Wolfwalkers and transform her into the very thing her father is tasked to destroy.


Watched Summer of Sam (1999) from
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.

We’re all just battling our demons, eh?

P.S. Don’t watch this with your parents.